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The poems in The Book of Endings try to make sense of, or at least come to some kind of reckoning with absence-the death of the author's mother, the absence of the beloved, the absence of an accountable god, cicadas, the dead stars arriving, the dead moon aglow in the night sky.
2) Groundspeed
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Groundspeed moves and doesn't stop moving. From pastorals on American highways to self-reckonings after a cancer diagnosis to examinations on grief and transience after the death of a brother, this collection of poems asks readers not only to size up threats but anxieties. Phillips witnesses a small plane crash and examines roadside attractions. She reckons with sexuality after a partner asks for a threesome, and renders a candid portrait of a nude,...
3) Signaletics
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Signaletics pits the measured against the immeasurable, the body against identity, and the political against the personal. With a defunct 19th-century body measurement system of criminal identification as a foundation, the poems move in and out of history, only to arrive at the immediate voice of a speaker, distraught about the death of a child brother, the remove of a father, and the estrangement of the personal with the politics of her country.
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The Good Kiss is a collection of poems dealing loosely with the subjects of divorce, sexuality, and American culture from the 1950s to today. The poems vary in tone from the fairly serious to the reflective and meditative, to the wryly comic. Perhaps it is fair to say that this range of tones exists within many of the individual poems, and is their defining characteristic. Poems like "What I Want," and "The Good Kiss" are good examples of these quirky,...
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Jennifer Moore's debut collection takes its title from a bullfighting technique in which the matador draws the bull with his cape; in these poems, however, traditional moves are reconfigured and roles are subverted. In a broader sense, the word "veronica" (from the Latin vera, or "true" and the Greek eikon, or "image") functions as a frame for exploring the nature of visual experience, and underscores a central question: how do we articulate events...
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I know I'm holding a good book in my hand when I use the other to call my friends and read poems to them. How generous John Repp is! He zooms in on the moment, but he's always glancing at everything that surrounds it. His funny poems have dark hearts, just as the sad ones are clearly written by someone capable of belly-shaking laughter. They tell wonderful stories, yet they contain chewy little nuggets that are often indifferent and even hostile to...
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Steve Kistulentz's second book of poems, Little Black Daydream, is a chronicle of post-capitalist America. With a precise ear for the American patois, it addresses the uncertainty of the future at the exact moment when those questions are at the forefront of our culture. The book teems with the dazzling detritus of desire, capitalism, and apocalypse-and the poems demonstrate an astonishing adeptness at pushing language to portray this strange moment...
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These are vivid, visceral poems about coming of age in a place "where the Ferris Wheel/ was the tallest thing in the valley," where a boy would learn "to fire a shotgun at nine and wring a chicken's neck/ with one hand by twirling the bird and whipping it straight like a towel." Looking back, the poet wrestles with the meaning of labor in the apple orchards and "the filthy dollars we'd wad into our pockets," or the rites of passage that included sinking...
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