In the Name of Salome
(eBook)

Book Cover
Average Rating
Published
Algonquin Books, 2000.
ISBN
9781616201036
Lexile measure
970L
Status
Available Online

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Format
eBook
Language
English
Accelerated Reader
UG
Level 6.6, 19 Points
Lexile measure
970

Citations

APA Citation, 7th Edition (style guide)

Julia Alvarez., & Julia Alvarez|AUTHOR. (2000). In the Name of Salome . Algonquin Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Julia Alvarez and Julia Alvarez|AUTHOR. 2000. In the Name of Salome. Algonquin Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Julia Alvarez and Julia Alvarez|AUTHOR. In the Name of Salome Algonquin Books, 2000.

MLA Citation, 9th Edition (style guide)

Julia Alvarez, and Julia Alvarez|AUTHOR. In the Name of Salome Algonquin Books, 2000.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID1aeb63b6-3452-3124-e0c4-009b55c8d9c3-eng
Full titlein the name of salome
Authoralvarez julia
Grouping Categorybook
Last Update2024-04-24 21:57:37PM
Last Indexed2024-04-25 01:29:56AM

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First LoadedAug 9, 2023
Last UsedFeb 15, 2024

Hoopla Extract Information

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    [synopsis] => "Original and illuminating."-The New York Times Book Review



 In her most ambitious work since In the Time of Butterflies, Julia Alvarez tells the story of a woman whose poetry inspired one Caribbean revolution and of her daughter whose dedication to teaching strengthened another. 
	Camila Henriquez Urena is about to retire from her longtime job teaching Spanish at Vassar College. Only now as she sorts through family papers does she begin to know the woman behind the legend of her mother, the revered Salome Urena, who died when Camila was three.
	In stark contrast to Salome, who became the Dominican Republic's national poet at the age of seventeen, Camila has spent most of her life trying not to offend anybody. Her mother dedicated her life to educating young women to give them voice in their turbulent new nation; Camila has spent her life quietly and anonymously teaching the Spanish pluperfect to upper-class American girls with no notion of revolution, no knowledge of Salome Urena.
	Now, in 1960, Camila must choose a final destination for herself. Where will she spend the rest of her days? News of the revolution in Cuba mirrors her own internal upheaval. In the process of deciding her future, Camila uncovers the truth of her mother's tragic personal life and, finally, finds a place for her own passion and commitment.
	Julia Alvarez has won a large and devoted audience by brilliantly illuminating the history of modern Caribbean America through the personal stories of its people. As a Latina, as a poet and novelist, and as a university professor, Julia Alvarez brings her own experience to this exquisite story.
	Julia Alvarez's new novel, Afterlife, is available now. Julia Alvarez left the Dominican Republic for the United States in 1960 at the age of ten. She is the author of six novels, three books of nonfiction, three collections of poetry, and eleven books for children and young adults. She has taught and mentored writers in schools and communities across America and, until her retirement in 2016, was a writer in residence at Middlebury College. Her work has garnered wide recognition, including a Latina Leader Award in Literature from the Congressional Hispanic Caucus Institute, the Hispanic Heritage Award in Literature, the Woman of the Year by Latina magazine, and inclusion in the New York Public Library's program "The Hand of the Poet: Original Manuscripts by 100 Masters, from John Donne to Julia Alvarez." In the Time of the Butterflies, with over one million copies in print, was selected by the National Endowment for the Arts for its national Big Read program, and in 2013 President Obama awarded Alvarez the National Medal of Arts in recognition of her extraordinary storytelling.  Prologue
	  Departing Poughkeepsie
	  June 1960
	  She stands by the door, a tall, elegant woman with a soft brown color to her skin (southern Italian? a Mediterranean Jew? a light-skinned negro woman who has been allowed to pass by virtue of her advanced degrees?), and reviews the empty rooms that have served as home for the last eighteen years.
	  Now in the full of June, the attic is hot. Years back, when she earned tenure, the dean offered her a more modern apartment, nearer to the campus. But she refused. She has always loved attics, their secretiveness, their niches and nooks, where those never quite at home in the house can hide. And this one has wonderful light. Shafts of sunlight swarm with dust motes, as if the air were coming alive.
	  It is time for fresh blood in this old house. On the second floor, right below her, Vivian Lafleur from the Music Department is getting on in years and going a bit deaf, too. Every year the piano gets more fortissimo, her foot heavy on the pedal. Her older sister, Dot, has already retired from Admissions and moved in with her "baby" sister. "Come quickly, Viv," she sometimes hollers from her bedroom. The music stops. Could this be it for Dot? On the ground floor, Florence from Hi
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